Sometimes it seems like when you are researching that no matter how hard you look, you can’t find the thing you need—but then when you publish, the information appears in the oddest place or in somewhere you know you already looked. After I published last week’s piece on the Lalique room at Jay-Thorpe and while I was finishing up Sunday’s article on Raymond Loewy’s spaces for Jay Thorpe (they appear to have dropped the hyphen sometime in the 1930s), I found clearer images of René Lalique’s 1928 designs.
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Lalique: Modern of the Moderns
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Sometimes it seems like when you are researching that no matter how hard you look, you can’t find the thing you need—but then when you publish, the information appears in the oddest place or in somewhere you know you already looked. After I published last week’s piece on the Lalique room at Jay-Thorpe and while I was finishing up Sunday’s article on Raymond Loewy’s spaces for Jay Thorpe (they appear to have dropped the hyphen sometime in the 1930s), I found clearer images of René Lalique’s 1928 designs.