The Couturiers' Private Lives: Part Two

America, 1969

So, which do you prefer—the Europeans (from this newsletter) or the Americans (below)? And which is your favourite? I only wish that these were all photographed in colour—all would benefit from colour’s ability to invite one in, enfolding and engaging, but in particular Chester Weinberg’s “mad medley of raspberry reds” sounds like a study in colour mast…